vonChristian Ihle 19.09.2009

taz Blogs


Willkommen auf der Blogplattform der taz-Community!

Mehr über diesen Blog

„With his debut album, the laughably titled I Created Disco, Harris – a former Marks & Spencer shelf stacker from Dumfries – raised the suspicion that he was something of a one-trick pony. (…)
His vocal is, at best, characterless. At worst, it’s the dullest, deadliest thing to enter the dance scene in this country since Oliver Cromwell banned frolics around the Maypole. (…)
His music is more about programming than passion and no matter how big the beat, without some groove it soon tires. The song Yeah Yeah Yeah La La La could be jolly nonsense pop or an unseemly embarrassment. It’s decidedly in the latter camp, with a toe-curling falsetto sealing the deal. What on earth made him think he could get away with that?“

(Gavin Martin im Daily Mirror über das neue Album von Calvin Harris, „Ready For The Weekend“)

Inhaltsverzeichnis:
* Die ersten 200 Folgen Schmähkritik
* Wer disst wen?

Anzeige

Wenn dir der Artikel gefallen hat, dann teile ihn über Facebook oder Twitter. Falls du was zu sagen hast, freuen wir uns über Kommentare

https://blogs.taz.de/schmaehkritik_240_calvin_harris/

aktuell auf taz.de

kommentare